Something I do very often. Is to push the dynamic register to the absolute maximum until it reaches what I think are appropriate levels for a given work. Pierre Boulez anticipating THE problems I believe that you need to have a game plan, which you then switch according to the players and their reactions.
The system of phrase analysis is very much part of the teaching in Vienna and St Petersburg, and I always like the comment by, I think it was, the pianist Rudolf Serkin, who said that he always liked to know how far a phrase was going to go when he entered it.
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